Dramas of strength and weakness

Ian Parker on Glenn Greenwald in The New Yorker:

Greenwald was particularly struck by Sandgren’s “brave and defiant” second press conference. In response to the media’s “bullying groupthink,” he hadn’t apologized. This perception of Sandgren’s circumstances helps illuminate Greenwald’s political writing, which focusses on dramas of strength and weakness, and on the corruptions of empires. Greenwald writes aggressively about perceived aggression. His instinct is to identify, in any conflict, the side that is claiming authority or incumbency, and then to throw his weight against that claim, in favor of the unauthorized or the unlicensed—the intruder. Invariably, the body with authority is malign and corrupt; any criticisms of the intruder are vilifications or “smears.” He rarely weighs counter-arguments in public, and his policy goals are more often implied than spoken.

Greenwald’s model will satisfy readers, on Twitter and elsewhere, to the extent that they recognize the same malignancy, or agent of oppression.